UPCOMING:

Exhibition Statement: Shary Boyle: Vesselling, Patel Brown Montreal (March 2024)

PAST:

Catalogue: Pictura 2023: Cruel To Be Kind / Les plus beaux cauchemars (Fall 2023)

Review: Inhabiting Form: Multiple Latitudes presented by Angstroms, Terremoto (October 2023)

Review: Edward Burtynsky: African Studies, Ciel Variable (Fall 2023)

Review: Solange Pessoa @ Mendes Wood DM in esse arts + opinion (online June 14, 2023)

Portfolio: Colin Lyons in esse arts + opinions #108 (Spring 2023)

Review: Darby Milbrath @ Projet Pangée, Border Crossings (Winter 2023)

Essay: Jannick Deslauriers: The World on a Thread, Exhibition Catalogue, 1700 La Poste (Spring 2023)

Portofolio: Ibrahim Mahama in Reiter Galleries

Portfolio: Anna Witt for the Kunstpreis der Böttcherstraße 2022, Kunsthalle Bremen

Review: Rebecca Munce @DRAC, esse arts + opinions # 106 (Fall 2022)

Portfolio: GaHee Park in esse arts + opinions #105 (Summer 2022)

Exhibition statement: Azza El Siddique @ Centre Clark (Spring 2022)

Review: Azza El Siddique and Teto Elsiddique @ Towards in esse arts + opinion #104 (Winter 2022)

Essay: “Of Bodies and Tools” in FRITJOF MANGERICH: Double Transactions published by DISTANZ (December 2021)

Review: Precious Okoyomon @ Performance Space New York, esse arts + opinion #103 (Fall 2021)

Exhibition statement: Guillaume Adjutor Provost, Troube Chunky, TRUCK, Calgary (2021)

Portfolio: Cindy Ji Hye Kim in esse arts + opinions #102 (Summer 2021)

Review: Marie-Michelle Deschamps Oasis @ Bradley Ertaskiran, Border Crossings (Fall 2021)

Exhibition statement: Shanie Tomassini, iPhone Rituel, Centre Clark, Montreal (2021)

Review: Yazan Khalili: Medusa @ Museum of Contemporary Art Toronto (MOCA), esse arts + opinions #101 (Winter 2021)

Review Valérie Blass: La poudre aux yeux: Of Smoke in Mirrors @ Catriona Jeffries, esse arts + opinions #100 (Fall 2020)

Feature: Fatma Bucak: The Damask Rose, esse arts + opinions #99 (Spring 2020)

Review: Michelle Bui: Spilled Plenitude @ Franz Kaka, esse arts + opinions #99 (Spring 2020)

Review: The Whitney Biennial of American Art, Whitney Museum in This is tomorrow (2019)

Interview: A conversation with Leila Greiche, Founder and Director of L’INCONNUE (2019)

Review: Helen Marten, Fixed Sky Situation, König Galerie Berlin in This is tomorrow (2019)

Review: Agnieszka Polska, The Demon’s Brain @ Hamburger Bahnhof in esse arts + opinions # 95 (2019)

Review: 12th Shanghai Biennale: Proregress, curated by Cuauhtémoc Medina @ Power Station of Art in esse arts + opinions (2018)

Review: Proof of Work, curated by Simon Denny (in dialogue with Distributed Gallery, Harm van den Dorpel, Sarah Hamerman and Sam Hart, Kei Kreutler, Aude Launay and Anna-Lisa Scherfose) @ Schinkel Pavillon, Berlin (2018) in esse arts + opinion (2018)

Exhibition statement: Kapwani Kiwanga, Strata, Centre Clark, Montreal (2018)

Review: Monira Al Qadiri, Bubble, ACUD Gallery, Berlin (2017) in this is tomorrow

Review: Pamela Rosenkranz, She Has No Mouth, Sprüth Magers Berlin (2017) in this is tomorrow

Review: alien matter, curated by Inke Arns, Haus der Kulturen der Welt, Berlin (2017) in this is tomorrow

Review: Documenta 14: Learning from Athens (2017) in this is tomorrow (2017)

Review: Reading Exercises, at Leonard & Bina Ellen Gallery in Espace art actuel no. 113 (Spring-Summer 2016)

Feature: The Weeping Wall: The Ana Mendieta Case in esse art + opinions no. 85 (Fall 2015)

Exhibition statement: Amélie Proulx, Landslides, Circa Art Actuel (2015)

Review: Katie Paterson: Ideas that Are Out There in Espace art actuel no. 109 (Winter 2015)

Review: En venir à une conclusion : Sarah Pierce à la galerie SBC in Espace art actuel no. 108, (Fall 2014)

Feature: What’s Dance Got To Do With It in esse arts + opinions no.78 (Fall-Summer 2013)

Essay: Guillaume Lachapelle: Derriere la façade, Art Mûr Publications (2013)